On-Set VFX Supervision Visual Effects Post-Production
Services
Early-stage visual planning through animatics, style frames, and 3D layouts — helping shape ideas before the shoot begins.
I participate in the shoot to ensure all technical elements needed for post-production are captured — tracking markers, lens data, HDRIs, lighting references, and more.
Camera tracking, object tracking, and matchmove — accurately reconstructing camera motion and scene layout to anchor CG elements.
Creating and integrating 3D assets into live-action shots — includes modeling, layout, lighting, shading, and rendering.
Removing unwanted elements, such as wires, rigs, logos, or artifacts — restoring a clean plate for final use.
Bringing together all visual layers — CG, live footage, effects — into a seamless final image. Includes rotoscoping, keying, color matching, and so on.
Early-stage visual planning through animatics, style frames, and 3D layouts — helping shape ideas before the shoot begins.
I participate in the shoot to ensure all technical elements needed for post-production are captured — tracking markers, lens data, HDRIs, lighting references, and more.
Camera tracking, object tracking, and matchmove — accurately reconstructing camera motion and scene layout to anchor CG elements.
Creating and integrating 3D assets into live-action shots — includes modeling, layout, lighting, shading, and rendering.
Removing unwanted elements, such as wires, rigs, logos, or artifacts — restoring a clean plate for final use.
Bringing together all visual layers — CG, live footage, effects — into a seamless final image. Includes rotoscoping, keying, color matching, and so on.
Workflow
> Send a script, storyboard, or brief with the visual goals, timeline, and any existing references.
> We define the scope of work, technical needs, and creative direction. If needed, I create previsualization shots or animatics to help plan the shoot and align on expectations for VFX.
> I take part in the shoot to ensure everything is captured properly for post — including tracking markers, HDRIs, measurements, lens data, and more.
> Send the edited shots that will appear in the final cut. These should be delivered in their original color space — for example, as a .mov file with a codec that supports full color depth, or as an OpenEXR sequence.
> Work is done in stages: camera tracking and matchmove, 3D scene setup, material and lighting setup, animation and simulation, rendering, and final compositing. Throughout the production, preview versions will be shared for feedback and approval.
> I work in the ACES Color Space Pipeline, which allows me to deliver final shots with graphics in the same color space and bit depth as originally provided — ready for further production